Duck
tells us if The Chilis can continue defying genres & trends
The
Lowdown: Chili Peppers find mellow vibe
on eighth studio release.
Another
turn around, another great album from Red Hot Chili Peppers, do
they not tire of making them? Their last album Californication
enjoyed huge success but By The Way is well on its way to eclipsing
it. Its been parked in the UK top ten for the last six months
or longer. The band has just sold all 85,000 tickets as headliners
of this year's Slane Castle gig in two and a half hours. The Album
has sold 1.2 million copies in Ireland meaning one in every seven
houses contains a copy. At the moment they could well be the biggest
band in the world.
So
does it merit this kind of success? In a word, yes. The album
is beautifully written and performed, and is quite a departure
from their previous work. It's these two factors that have made
it a success. The song writing is easy and brilliant, the songs
sound relaxed and natural but thoughtfully written at the same
time. The music is laid back and at times dreamy and floaty, giving
the whole thing a kind of hazy summer feel. The band has always
been capable of a mellow moment on previous records, and maybe
some of their last album hinted at the direction taken here, but
contrast By The Way with their breakthrough album Blood Sugar
Sex Magik. The change is obvious, almost entirely gone is that
psychedelic funk hip hop metal signature sound, in its place a
more expansive and expressive soundscape, a more populous approach.
Title
track "By the Way" opens the album and is one of the
few songs that is immediately identifiable as The Chilis, so it
was a sensible choice as first single. It cracks along in familiar
Chili's "Give it Away" style but after a few listens
really stands up on its own as a sure fire future classic. The
next two tracks are mid paced adult rockers with some great intricate
lyrics, and some lovely musical flourishes. It's a noticeable
change from previous material, the whole sound is more pop, broader,
less defined. It gives the music a timeless feel and conjures
up images of those great American bands of the psychedelic/flower
power era, the whole West Coast sound of the likes of the Mamas
& Papas and the Byrds. At the same time the music is still
dark and alternative, lyrically with its myriad of drug references,
musically with its strange quicksilver guitar lines. "Don't
forget me" in particular stands out among the early part
of the album, its menacing, brooding feel being quite hypnotic.
Second single "The Zephyer Song" really catches that
summer sound. "Can't Stop" returns to more recognisable
territory. "I could die for you" is a beautiful ballad.
"Midnight" sounds like an American city at night and
is a mid-album highlight.
There
are so many songs on here, 16 totalling 68 minutes, that the whole
thing tends to blend into one whole piece. At first this seems
like a disadvantage but once you get to know the songs it is the
albums revelation. The production from Rick Rubin gives the entire
thing that lovely summery, "sounds great in the car"
feel, despite the music's dark undercurrents. This uniformity
of production however doesn't stop the band from experimenting.
"Throw away your Television" starts with a loose limbed
Flea bass line, Keides joins in with a shouty vocal, and then
Frusciante with a minimal squalling guitar lick, the whole thing
coming across like Talking Heads space rock. "Cabrow"
has a beautiful Spanish/Mexican guitar phrase and wouldn't be
out of place on one of Santana's recent releases. It captures
more than any other track that pure sunshine sound and should
definitely be released as a summer single to coincide with Slane.
"Minor Thing" is another highlight with its mix of jingly
pop and hard Keides hip-hop vocal. The album takes a nice melancholic
twist at the end with "Venice Queen", its opening verses
full of foreboding, before an acoustic guitar breaks in and the
song becomes uplifting and hopeful. Like the album as a whole
I suppose, a sense of darkness underneath but a beautiful and
hopeful record overall. It shows the band has matured immensely.
They must be happy with life to be making music like this.
Further
Listening: The Red Hot Chili Peppers, "Freakey Styley",
"One Hot Minute".
Contact
Duck
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