Thirty-five
minutes of manic rock'n'roll energy. Ten tracks, wham-bam, thank
you Mam. No messing about, no nonsense. These young rockers
from Austin, Texas offer up a clear statement of intent on their
fun debut album "Mouthful of Love".
Young
Heart Attack have rifled their big brother's, or more likely
their father's, record collections for inspiration, and mixed
it with an originality and verve only the young can muster.
With that effortless rock style Texan's seem born with and a
clutch of great songs, the band swagger confidently through
this album like veterans. On the instrumentation front it's
basically a mix of 70s style guitar riffs and a few clever lifts
from the classic rock canon - "Starlite" starts off
exactly like The Who's "Won't Get Fooled Again", the
chord progression to "El Camino" is Purple's "Maybe
I'm A Leo" at twice the speed. But so what? Every band
has its influences, its what you do with them that counts. And
what YHA have done is create their own sound and style. The
band has two singers, one male, one female. The male singer's
voice is already in the high-octane register, but Jennifer Stephen's
even higher, clear, ringing voice compliments it perfectly.
If you've got two great and distinct singers you might as well
make the most of them, and YHA do, with harmony parts and male
call/female recall sections in most tracks. It works brilliantly,
like the B-52s in a head on collision with AC/DC. It also has
the added benefit of making YHA sound rather unique, so even
though the guitar style is firmly rooted in 70s classic rock
(no bad thing) the band sound fresh and contemporary.
The
majority of the ten tracks are from the top drawer. The aforementioned
"El Camino" blasts along frenetically before breaking
down into a space rock mid-section and slowly building again
to a climatic close, with both singers going for it full tilt.
The band ease off the gas only once, delivering an effective
12 bar in the form of "Mary Jane", played with just
enough sloppiness to make it sound authentic. MC5's classic
"Over and Over" is dusted off and given a good kicking.
Unless you know the original, you would never realise this is
a cover, such is the standard of YHA's own tracks. The album
closes with the sing-a-long (well the whole album is sing-a-long
to be honest) "Misty Rowe" which features a killer
Jimmy Page sounding riff in the bridge section and an instantly
memorable chorus.
And
that's it, a short sharp shock. It's important with this kind
of direct party rock'n'roll not to outstay your welcome and
YHA seem to have grasped that fact early on. The whole album
flies by and comes to a close just when you're really getting
in to it, but importantly well before you have a chance to tire
of it. Might as well stick it on again then!
DUCK