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Well,
this was a weird one. I had inadvertently bought the most expensive
ticket going (but hey, it was for charadee) and found myself seated
ten rows from the front of the stage in the Royal Albert Hall for
a night of vintage rock n’ roll. Ushers showed us to our seats,
although very few people were actually sitting, and we took in our
opulent surroundings and it just seemed, well, wrong. To my left
was the Judas Priest fan club from Germany bedecked in patched denim
jackets, mullets and wispy moustaches ( à la Derry 1987)
and you couldn’t help feel that Prince Albert himself was
turning in his grave at the sight of these heavy metal revellers
sullying this bastion of the music establishment. Anyway, here we
were so bring it on…..
I missed the opening act of the evening, Boned, who few people had
ever heard of but were nonetheless one of Tommy Vance’s favourite
bands. I got into the arena just in time for the arrival of Mr Gillan
and friends, who counted amongst their number Roger Glover
on bass and Thunder’s Harry James on drums. There were a couple
of vintage Gillan classics amongst the opening numbers (Unchain
you Brain and No Laughing Heaven) but in all honesty he seemed to
take a while to get going and appeared to be struggling a little
bit. There were then a few tracks off his new album, which I didn’t
recognise but were very bluesy and seemed to go on for feckin ages.
The highlight of his 50-minute set was undoubtedly the two Purple
numbers When a Blind Man Cries and finally Black Night. The latter
had the audience going wild and was a crackin finale to the set.
After
a brief sojourn Bruce Dickinson came on stage to introduce The Scorpions.
Now, I have to make a confession here, I don’t know any of
the Scorpions stuff apart from the turgid Wind of Change and Rock
you Like a Hurricane. After their performance on Friday evening
I now feel extremely guilty at my neglect of these German rockmeisters
because they were completely fantastic. They were an utter revelation
and had the Albert Hall eating out of the palms of their hands.
I can’t give you the set list as I only recognised the already
mentioned Wind of Change and the finale Rock you Like a Hurricane.
I would definitely check these guys out again when they’re
next in town as they are what rock n’ roll is all about, having
some fun, and getting away with it!
Once
the Scorpions had finished Roger Daltrey came on stage to introduce
a video showing what the money was being raised for – The
Teenage Cancer Trust. It was very moving and had grown men around
me in tears. All the same, it was a bit of a strange sensation to
watch this and then have Judas Priest come on stage straight afterwards.
Anyway, on to stage they came, well all of them except Rob Halford
who didn’t appear until half-way through the opener, The Hellion.
The last time I saw the Priest was in the Ulster Hall in 1991 as
I missed last year’s Angel of Retribution Tour so I was keen
to make amends, especially as this was their only gig of 2006. The
set list was fantastic but way too short:
Hellion/Electric
Eye, Metal Gods, Heading out to the Highway, Judas Rising, Diamonds
& Rust, Turbolover, Green Manalishi, Breaking the law, Hellbent
for leather and Living after midnight
The
acoustic version of Diamonds and Rust was particularly good but
I was a bit disappointed at the absence of Painkiller. Given the
brevity of their set they obviously had to drop a few numbers and
they more or less kept it to the classics.
Halford
claimed that Judas Priest were making history by being the first
Heavy Metal band to play at the Royal Albert Hall. I’m sure
he’s wrong, as I seem to recollect Black Sabbath, amongst
others, have played there. He is probably right, however, in his
assertion that the Priest were also making history by being the
first band to bring a motorcycle on stage for Hellbent for Leather
– no argument here Bob.
As much as I love the Priest, I have to admit that the ridiculousness
of it all can sometimes tip over into the comedic, but I do have
a feeling that the guys don’t take themselves too seriously,
especially Halford – I hope I’m right! They ended the
evening by brining The Scorpions and Gillan back on stage for a
mass rendition of Take on All the World which I doubt has featured
on their set list for a couple of decades.
All
in all, it was a great evening and a very fitting way to remember
Tommy Vance and also raise some money for a very worthwhile cause.
Rock on Tommy!
SEAN
RAINEY
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