It
was the perfect setting on the perfect evening, to see Mr Plant
and his band," The Strange Sensations", run through
a set of absolute beauty that took us from North California to
the Garden of England
We (myself and my brother, Neil and his mate Kev) stood in the
middle of a mixed -up crowd (aging hippies, children, weekend
warriors) and as 9 o'clock came the band took the stage
they
started up a tuneless drone and out wandered Mr Plant himself,
to the expected roar. No bother to Percy; he still looks the part
at 55.No-one does the Rock God bit better. The drone rose to a
crescendo and Plant started into," If I ever get lucky, Baby",
..
The first thing that hits you is that the voice is effortlessly
pure and good..All is well with the world when Percy is crooning.
The band are playing the set that they've been playing since the
release of "Dreamland". A mixture of Zeppelin and covers
and one Plant solo tune (Tall Cool One
dedicated to Elvis)
the set is well paced and always engrossing. Plant leads the band
into various deep and murky jams that are now their trademark
groove-laden
music played by men at the top of their game.
The
Zeppelin tunes were greeted by near-euphoria. This was to be expected,
but the constant calling for various classics angered Plant, as
he made a rather rude hand gesture directed at a guy in front
of me who called for "Ten Years Gone". These half-wits
should let the man get on with his gig
They didn't seem to care that he was in obvious pain as Wolves
had just been hammered on their joyous return to the top division.
There were highlights on the night, but, to be honest; the whole
thing was a great spectacle. In my opinion, Plant is better suited
to this type of set-up than the Arena-Rock that comes along with
any association with Jimmy Page. The pressure is greater and all
the enjoyment seems to be lessened for Plant. This was a better
gig than either of the Page/Plant Dublin gigs that I had the pleasure
of seeing over the past few years. He just seems so much happier
when he can do what he wants
.which brings me
back to the highlights.
Early on in the set the band tore through a song by "Love".
The Californian folk-rock band of the late '60s
"7+7is
."was
absolutely immense. The riff was vicious and Plant attacked the
vocal with purpose. It was painfully good, and by way of contrast,
the other standout tune was a gentle version of Dylan's "Girl
from the North Country". Plant pouring
everything
into a song that was adapted brilliantly from its original form.
It was a great night, made all the more enjoyable by the relaxed
(ahem!) atmosphere
Of the crowd and the fact that it was the final gig of the tour.
Percy informed us that they're going into the Studio in three
weeks and will have an album out in March.
No new original songs were played here, but the band is great
and Percy must have recovered from the writer's block that forced
him to record "Dreamland".
His lead guitarist is the guy from that God-awful Britpop band
"Cast", the guy probably can't believe his luck!!!!!!!!!!
They finished off with a suitably charged version of "Whole
Lotta Love" and we all went home happy. Even the hecklers.
A wise man once told me
."Class is permanent, Form is
temporary". Robert Plant is constant proof of that fact.
Long may he reign.
DIXIE
SET LIST
If
I ever get lucky, baby
Four Sticks
Morning Dew
7+7 is
Going to California
Girl from the North Country
Gallows Pole
Hey Joe
Ramble On
Tall Cool One
Babe, I'm Gonna Leave You
ENCORES
Darkness Darkness
Whole Lotta Love